{"id":1112,"date":"2023-03-21T14:38:35","date_gmt":"2023-03-21T14:38:35","guid":{"rendered":"https:\/\/odinteatret.org\/?page_id=1112"},"modified":"2024-11-19T13:30:12","modified_gmt":"2024-11-19T13:30:12","slug":"tage-larsen","status":"publish","type":"page","link":"https:\/\/odinteatret.org\/index.php\/actors-staff\/tage-larsen\/","title":{"rendered":"Tage Larsen"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Tage Larsen<\/strong>\u00a0was born in 1949 in Randers, Denmark. He started at\u00a0Odin Teatret in 1971 as a &#8220;helping hand&#8217; and soon was accepted as an actor. Tired of travelling theatre life, he took a break in 1974, but returned to the theatre a year later. He remained with Odin Teatret until 1987 when he started his own group, Yorick Teatret. In the ten years away from Odin Teatret, Tage also taught at the Nordisk Teater Skole in Aarhus and worked as a freelance actor with Teater La Balance and Cantabile 2. In 1997 he returned to Odin Teatret to be part of the performance\u00a0Mythos. He\u00a0still\u00a0acts and directs performances outside Odin Teatret and\u00a0gives workshops for actors all over the world. He has regularly created and directed the main local performance during Holstebro Festuge (Festive Week) and has directed\u00a0<em>Madame Bovary-Downtown<\/em>\u00a0with Anna Lica, Yorick (Denmark);\u00a0<em>Ali og den forunderlige \u00c5nd<\/em>\u00a0with emigrants and refugees (Denmark);\u00a0<em>The Starry Messenger<\/em>\u00a0with\u00a0<a href=\"https:\/\/www.donaldkitt.dk\/the-starry-messenger\/\" data-type=\"link\" data-id=\"https:\/\/www.donaldkitt.dk\/the-starry-messenger\/\">Donald Kitt\u00a0<\/a>(Canada);\u00a0<em>Lady Swettenham<\/em>,\u00a0<em>Othello\u00a0and Puteri Saadong<\/em>\u00a0with Sabera Shaik of\u00a0<a href=\"https:\/\/ot-arkiv.dk\/actors\/tage-larsen\/#\">Masakini Theatre Company<\/a>\u00a0(Malaysia);\u00a0<em>Sancho Panza e non Chisciotte<\/em>\u00a0with\u00a0<a href=\"https:\/\/ot-arkiv.dk\/actors\/tage-larsen\/#\">Mario Barzaghi<\/a>\u00a0of Teatro Dell&#8217;Albero (Italy);<em>\u00a0Bim, Bum, Bang<\/em>\u00a0with Elena Vanni\u00a0(Italy);\u00a0<em>Figaro<\/em>\u00a0with Federico Vivaldi (Italy).\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/03\/d4b0966_1800px-1024x512.gif\" alt=\"\" class=\"wp-image-1113\" srcset=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/03\/d4b0966_1800px-1024x512.gif 1024w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/03\/d4b0966_1800px-300x150.gif 300w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/03\/d4b0966_1800px-768x384.gif 768w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/03\/d4b0966_1800px-1536x768.gif 1536w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/03\/d4b0966_1800px-570x285.gif 570w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/03\/d4b0966_1800px-380x190.gif 380w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/03\/d4b0966_1800px-285x143.gif 285w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Performances<br><\/strong>My Father&#8217;s House<br>The Book of Dances<br>Presenze e Figure<br>Come! And the Day will be Ours<br>Anabasis<br>The Million<br>Breacht&#8217;s Ashes<br>The Gospel According to Oxyrhincus<br>Inside the Skeleton of the Whale<br>Ode to Progess (1997-2016)<br>Mythos<br>Great Cities under the Moon<br>Andersen&#8217;s Dream<br>Don Giovanni all&#8217;Inferno<br>The Chronic Life<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Theatrum Mundi performances<br><\/strong>The Marriage of Medea<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Performance Demonstrations<br><\/strong>Text, Action, Relations<br>The Whispering Winds in Theatre and Dance<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Performances directed by Tage Larsen for other companies<br><\/strong>Madame Bovary&nbsp;(with Anna Lica, Yorick Teatret, Denmark)<br>Ali og den forunderlige \u00e5nd&nbsp;(with emigrants and refugees, Denmark)<br>The&nbsp;Starry Messenger&nbsp;(with Donald Kitt, Canada)<br>Lady Swettenham&nbsp;(with Sabera Shaik, Masakini Theatre Company, Malaysia)<br>Sancho Panza e non Chisciotte&nbsp;(with Mario Barzaghi, Teatro Dell&#8217;Albero, Italy)<br>Othello&nbsp;(with Masakini Theatre Company and Jabatan Kebudayaan Dan Kesenian Negara, Malaysia)<br>Puteri Saadong&nbsp;(with Masakini Theatre Company, Malaysia)<br>Insomnia&nbsp;(with Riotous Company, UK)<br>Step by Step by Step&nbsp;&#8211; Perfomance Demonstration with Mia Theil Have (Riotous Company, UK)<br>Scherzo for Sticks and Piano&nbsp;(Riotous Company, UK)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tage Larsen\u00a0was born in 1949 in Randers, Denmark. He started at\u00a0Odin Teatret in 1971 as a &#8220;helping hand&#8217; and soon was accepted as an actor. Tired of travelling theatre life, he took a break in 1974, but returned to the theatre a year later. He remained with Odin Teatret until 1987 when he started his<\/p>\n<p><a href=\"https:\/\/odinteatret.org\/index.php\/actors-staff\/tage-larsen\/\" class=\"more-link themebutton\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":33,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-1112","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/pages\/1112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/comments?post=1112"}],"version-history":[{"count":2,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/pages\/1112\/revisions"}],"predecessor-version":[{"id":2875,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/pages\/1112\/revisions\/2875"}],"up":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/pages\/33"}],"wp:attachment":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media?parent=1112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}