{"id":1488,"date":"2023-12-13T09:09:49","date_gmt":"2023-12-13T09:09:49","guid":{"rendered":"https:\/\/odinteatret.org\/?page_id=1488"},"modified":"2026-06-16T08:48:12","modified_gmt":"2026-06-16T08:48:12","slug":"compassion","status":"publish","type":"page","link":"https:\/\/odinteatret.org\/index.php\/performances\/compassion\/","title":{"rendered":"COMPASSION"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>(Remembering Thebes)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Work in progress<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eros, the divinity of antiquity, had many natures, in addition to that of passion: friendship and tenderness, affection and solidarity, sympathy and admiration.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Remembering Thebes<\/em>, Odin Teatret&#8217;s work in progress with Julia Varley and directed by Eugenio Barba, presents three situations of Eros in the form of compassion n. It is a triptych, three grotesque, painful and emblematic stories that come from the contemporary everyday life and from the darkness of myth.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>First episode<\/strong>: a Yazid monk plants a tree in the desert to make the birds return. The tree grows but dead.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Second episode<\/strong>: a Chechen refugee\u2019s love for her husband who died at war.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Third episode<\/strong>: Tiresias, blind and seer, recalls the fate of Oedipus and his daughter Antigone.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Actress: <em>Julia Varley<\/em><br>Director: <em>Eugenio Barba<\/em><br>Text: <em>Eugenio Barba, Julia Varley<\/em><br>Assistant directors: <em>Antonia Cezara Cioaza, Jakob Nielsen<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2025\/07\/PROGRAM_COMPASSION-EN-w.pdf\" data-type=\"link\" data-id=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2025\/07\/PROGRAM_COMPASSION-EN-w.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">PROGRAM IN ENGLISH&gt;&gt;<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2026\/06\/PROGRAMA-COMPASSION-IT-web.pdf\" data-type=\"link\" data-id=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2026\/06\/PROGRAMA-COMPASSION-IT-web.pdf\">PROGRAM IN TALIAN&gt;&gt;<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2026\/06\/PROGRAMA-COMPASSION-SP-web-1.pdf\" data-type=\"link\" data-id=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2026\/06\/PROGRAMA-COMPASSION-SP-web-1.pdf\">PROGRAM IN SPANISH&gt;&gt;<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2026\/06\/PROGRAMA-COMPASSION-PR-web.pdf\">PROGRAM IN PORTUGUESE>><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/12\/Necesidades-tecnicas-Compasion-sp2.pdf\" data-type=\"link\" data-id=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/12\/Necesidades-tecnicas-Compasion-sp2.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Technical information (Spanish)&gt;&gt;&gt;<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/07\/FG_3866-682x1024.jpg\" alt=\"\" class=\"wp-image-1491\" style=\"width:259px;height:389px\" srcset=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/07\/FG_3866-682x1024.jpg 682w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/07\/FG_3866-200x300.jpg 200w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/07\/FG_3866-768x1152.jpg 768w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/07\/FG_3866.jpg 787w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/07\/FG_4828-682x1024.jpg\" alt=\"\" class=\"wp-image-1492\" style=\"width:259px;height:389px\" srcset=\"https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/07\/FG_4828-682x1024.jpg 682w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/07\/FG_4828-200x300.jpg 200w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/07\/FG_4828-768x1152.jpg 768w, https:\/\/odinteatret.org\/wp-content\/uploads\/2023\/07\/FG_4828.jpg 787w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>(Remembering Thebes) Work in progress Eros, the divinity of antiquity, had many natures, in addition to that of passion: friendship and tenderness, affection and solidarity, sympathy and admiration. Remembering Thebes, Odin Teatret&#8217;s work in progress with Julia Varley and directed by Eugenio Barba, presents three situations of Eros in the form of compassion n. It<\/p>\n<p><a href=\"https:\/\/odinteatret.org\/index.php\/performances\/compassion\/\" class=\"more-link themebutton\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":1750,"parent":36,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-1488","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/pages\/1488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/comments?post=1488"}],"version-history":[{"count":13,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/pages\/1488\/revisions"}],"predecessor-version":[{"id":4161,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/pages\/1488\/revisions\/4161"}],"up":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/pages\/36"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media\/1750"}],"wp:attachment":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media?parent=1488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}