{"id":1241,"date":"2023-04-26T10:27:00","date_gmt":"2023-04-26T10:27:00","guid":{"rendered":"https:\/\/odinteatret.org\/?p=1241"},"modified":"2023-08-11T09:24:27","modified_gmt":"2023-08-11T09:24:27","slug":"ista-webinar-26-april","status":"publish","type":"post","link":"https:\/\/odinteatret.org\/index.php\/2023\/04\/26\/ista-webinar-26-april\/","title":{"rendered":"ISTA WEBINAR (26 APRIL)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Daily Behaviour and Extra-daily Behaviour<br>Webinar on Theatre Anthropology with Eugenio Barba<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During the ISTA session in 1987 in Salento, Italy, Eugenio Barba comments: \u201cWe can speak of daily technique or extra-daily technique, and of daily behaviour or extra-daily behaviour. What is professionally essential for us is to realise how the actor implements this transformation, that is, this transition from a behaviour that does not attract attention to a behaviour that can attract attention. Daily and extra-daily behaviour are examined in the film with many different examples, amongst whom Stina Ekblad, Th\u00e9\u00e2tre du Soleil, Lydia Koniordou, and the Colombaioni brothers.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Free participation Registration at:<\/strong>&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/bit.ly\/3K4l3xA\" target=\"_blank\">bit.ly\/3K4l3xA<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The webinar is in Spanish with simultaneous translation into English and Italian.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>More information:<\/strong> https:\/\/fondazionebarbavarley.org\/en\/evento\/comportamento-quotidiano-e-comportamento-extra-quotidiano\/ <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Daily Behaviour and Extra-daily Behaviour &#8211; Webinar on Theatre Anthropology with Eugenio Barba<\/p>\n","protected":false},"author":1,"featured_media":1242,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[10,5],"tags":[],"class_list":["post-1241","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-news-activities"],"_links":{"self":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/comments?post=1241"}],"version-history":[{"count":2,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1241\/revisions"}],"predecessor-version":[{"id":1288,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1241\/revisions\/1288"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media\/1242"}],"wp:attachment":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media?parent=1241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/categories?post=1241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/tags?post=1241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}