{"id":1272,"date":"2023-05-07T09:21:58","date_gmt":"2023-05-07T09:21:58","guid":{"rendered":"https:\/\/odinteatret.org\/?p=1272"},"modified":"2023-08-11T09:26:11","modified_gmt":"2023-08-11T09:26:11","slug":"ista-live-streaming","status":"publish","type":"post","link":"https:\/\/odinteatret.org\/index.php\/2023\/05\/07\/ista-live-streaming\/","title":{"rendered":"ISTA &#8211; live-Streaming"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>PRE-EXPRESSIVITY &#8211; COMPOSITION &#8211; MONTAGE<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The ISTA session will take place in <strong>P\u00e9csv\u00e1rad <\/strong>and <strong>Budapest (Hungary), 7-21 May 2023<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The live-streaming will record the work with Eugenio Barba and the demonstrations by the ISTA\/NG masters Annada Prasanna Pattanaik, India; Keiin Yoshimura, Japan; Parvathy Baul, India; I Wayan Bawa, Bali; Julia Varley, Odin Teatret, Denmark; Al\u00edcio Amaral and Juliana Pardo, Mundu Rod\u00e1, Brazil; Caterina Scotti and Alessandro Rigoletti, Teatro tascabile di Bergamo, Italy; Yalan Lin, Taiwan; Ana Woolf, CATA, Argentina, Istv\u00e1n Berecz, Hungary.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>For registration<\/strong> please subscribe to Fondazione Barba Varley Newsletter <a href=\"http:\/\/www.fondazionebarbavarley.org\">www.fondazionebarbavarley.org<\/a> and then contact Francesca Romana Rietti at <a href=\"mailto:francesca@fondazionebarbavarley.org\">francesca@fondazionebarbavarley.org<\/a> to receive the connection link.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>The live-streaming programme:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>7.05<\/strong> <br>17:00-18:30 \u00a0\u00a0\u00a0\u00a0\u00a0 INTRODUCTION, First meeting with Eugenio Barba and the ISTA\/NG masters<br>19:00-20:00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 COMPOSITION IN THEATRE AND DANCE with <strong>Julia Varley<\/strong>, <em>The Dead Brother<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>8.05<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>11:15-12:45&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; COMPOSITION IN THEATRE AND DANCE with <strong>Ana Woolf<\/strong>, <em>Behind the curtain<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">16:00-18:45\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MONTAGE: FROM PRE-EXPRESSIVITY TO PERFORMANCE with <strong>Eugenio Barba<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<strong>9.05<\/strong><br>11:15-12:45&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; COMPOSITION IN THEATRE AND DANCE with <strong>Parvathy Baul<\/strong>and <strong>Mundu Rod\u00e1<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">16:00-19:00 \u00a0<a>\u00a0<\/a>\u00a0\u00a0\u00a0\u00a0MONTAGE: FROM PRE-EXPRESSIVITY TO PERFORMANCE with <strong>Eugenio Barba<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>10.05\u00a0<\/strong><br>11:15-12:45\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 COMPOSITION IN THEATRE AND DANCE with<strong> Alessandro Rigoletti <\/strong>and <strong>Caterina<\/strong><br>                          <strong>Scotti<\/strong>, Teatro tascabile di Bergamo<br>16:00-19:00 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0MONTAGE: FROM PRE-EXPRESSIVITY TO PERFORMANCE with <strong>Eugenio Barba<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>11.05 <\/strong><br>11:15-12:45&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; COMPOSITION IN THEATRE AND DANCE with<strong> Keiin Yoshimura <\/strong>and <strong>Istv\u00e1n Berecz<\/strong><br>16:00-19:00 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;MONTAGE: FROM PRE-EXPRESSIVITY TO PERFORMANCE with <strong>Eugenio Barba<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>12.05&nbsp;<\/strong><br>11:15-12:45&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; COMPOSITION IN THEATRE AND DANCE with<strong> Yalan Lin <\/strong>and <strong>I Wayan Bawa<\/strong><br>16:00-19:00 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;MONTAGE: FROM PRE-EXPRESSIVITY TO PERFORMANCE with <strong>Eugenio Barba<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>13.05&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><br>11:15-12:45&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; COMPOSITION IN THEATRE AND DANCE with<strong> Eugenio Barba<\/strong> and <strong>all artists<\/strong><br>16:00-19:00 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;MONTAGE: FROM PRE-EXPRESSIVITY TO PERFORMANCE with <strong>Eugenio Barba<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>14.05&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong><br>11:15-12:45&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; COMPOSITION IN THEATRE AND DANCE with<strong> Eugenio Barba<\/strong> and <strong>all artists<\/strong><br>16:00-18:45 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;MONTAGE: FROM PRE-EXPRESSIVITY TO PERFORMANCE with <strong>Eugenio Barba<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>15.05&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><br>11:15-12:45&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; COMPOSITION IN THEATRE AND DANCE with<strong> Eugenio Barba<\/strong> and <strong>all artists<\/strong><br>16:00-18:45 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;MONTAGE: FROM PRE-EXPRESSIVITY TO PERFORMANCE with <strong>Eugenio Barba<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>16.05&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><br>10:00-11:30 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; MONTAGE: FROM PRE-EXPRESSIVITY TO PERFORMANCE with <strong>Eugenio Barba<\/strong><br>                          Last ISTA\/NG meeting and questions<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The 17<sup>th<\/sup> ISTA session will conclude the 20<sup>th<\/sup> of May at the National Theatre of Budapest with the performance ANASTASIS\/RESURRECTION devised and directed by Eugenio Barba and performed by the artists of ISTA\/NG and by the participants.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LIVE-STREAMING of selected activities. Dates, time and registration>>><\/p>\n","protected":false},"author":1,"featured_media":1283,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[10,5],"tags":[],"class_list":["post-1272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-news-activities"],"_links":{"self":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/comments?post=1272"}],"version-history":[{"count":9,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1272\/revisions"}],"predecessor-version":[{"id":1282,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1272\/revisions\/1282"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media\/1283"}],"wp:attachment":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media?parent=1272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/categories?post=1272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/tags?post=1272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}