{"id":1296,"date":"2023-05-19T10:09:18","date_gmt":"2023-05-19T10:09:18","guid":{"rendered":"https:\/\/odinteatret.org\/?p=1296"},"modified":"2023-08-12T10:48:16","modified_gmt":"2023-08-12T10:48:16","slug":"ista-webinar-24-may","status":"publish","type":"post","link":"https:\/\/odinteatret.org\/index.php\/2023\/05\/19\/ista-webinar-24-may\/","title":{"rendered":"ISTA WEBINAR (24 May)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">ALTERATION OF BALANCE, OPPOSITIONS, CONSISTENT INCONSISTENCY<br>Webinar on Theatre Anthropology with Eugenio Barba<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On the film, after seeing a Japanese n\u00f4 scene from the play Dojoji and an extract of Carolyn Carlson\u2019s modern dance, Eugenio Barba comments.<br>\u201cLet\u2019s try to strip the actors of their costumes, mask and music, elements that intertwine in the total expression that affects the spectator\u2019s perception.<br>We will then notice the level of scenic anatomy with three technical principles outlined by Theatre Anthropology: alteration of balance, oppositions and consistent inconsistency.\u201d<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color wp-block-paragraph\"><strong>Free participation. Registration at:\u00a0<a rel=\"noreferrer noopener\" href=\"http:\/\/bit.ly\/3Vqw7Kz\" target=\"_blank\">bit.ly\/3Vqw7Kz<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The webinar is in Spanish with simultaneous translation into English and Italian.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;Eugenio Barba and Julia Varley answer questions concerning Theatre Anthropology during a ten lesson course once a month.<br><strong>The ten monthly lessons are free but registration is obligatory<\/strong>.<br>Before each lesson, <strong>participants will be requested to watch one<\/strong> of the ten films on Theatre Anthropology realised by Eugenio Barba, Claudio Coloberti and Julia Varley. The films include explanations by Eugenio Barba, excerpts from ISTA (International School of Theatre Anthropology) sessions since 1980 and other archive material. Having seen the film, participants will send written questions before the webinar to the address which will be given to those who register. &#8220;<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color wp-block-paragraph\"><strong>You can find the film for lesson 4 here:<\/strong> <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/playlist?list=PLK8iTIUPsd3jHl8NZFDsW7tEDHuMPbRZt\" target=\"_blank\">https:\/\/www.youtube.com\/playlist?list=PLK8iTIUPsd3jHl8NZFDsW7tEDHuMPbRZt<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">More information: <a href=\"https:\/\/fondazionebarbavarley.org\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/fondazionebarbavarley.org\/en\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alteration of balance, oppositions, consistent inconsistency<br \/>\nWebinar on Theatre Anthropology with Eugenio Barba<\/p>\n","protected":false},"author":1,"featured_media":1297,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[10,5],"tags":[],"class_list":["post-1296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-news-activities"],"_links":{"self":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/comments?post=1296"}],"version-history":[{"count":1,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1296\/revisions"}],"predecessor-version":[{"id":1298,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1296\/revisions\/1298"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media\/1297"}],"wp:attachment":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media?parent=1296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/categories?post=1296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/tags?post=1296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}