{"id":1374,"date":"2023-12-01T11:59:00","date_gmt":"2023-12-01T11:59:00","guid":{"rendered":"https:\/\/odinteatret.org\/?p=1374"},"modified":"2023-12-14T10:55:41","modified_gmt":"2023-12-14T10:55:41","slug":"some-photos-from-anastasis","status":"publish","type":"post","link":"https:\/\/odinteatret.org\/index.php\/2023\/12\/01\/some-photos-from-anastasis\/","title":{"rendered":"Some photos from “ANASTASIS”"},"content":{"rendered":"\n

20th of May 2023 at National Theatre of Budapest, Hungary – ISTA\/NG Theatrum Mundi Ensemble – Theatre Olympics 2023<\/p>\n\n\n\n

<\/p>\n\n\n\n

PHOTOS FROM STEFANO DI BUDUO<\/strong><\/p>\n\n\n\n

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PHOTOS FROM FRANCESCO GALLI<\/strong><\/p>\n\n\n\n

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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n\n\n\n
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ANASTASIS – directed by Eugenio Barba. Theatre Olympics 2023<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Working on the scenography and light design of ANASTASIS
(Photos: Rina Skeel)<\/p>\n\n\n\n

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ANASTASIS (Resurrection)<\/strong><\/p>\n\n\n\n

Composed and directed by Eugenio Barba<\/strong><\/p>\n\n\n\n

An\u00e1stasis<\/em> depicts Life\u2019s different phases and realities from birth to death and again re-birth in the world of nature, animals and humans. An\u00e1stasis<\/em> is a hymn to the power of Life and an homage to the performer\u2019s art with its splendour of styles and expressions. It is enacted by performers from different countries and traditions: Japanese Noh, Chinese Nanguan Opera, Balinese Topeng, Indian Baul and Kathakali, Brazilian Cavalo Marinho and Bumba Meu Boi, Flamenco and western contemporary styles.<\/p>\n\n\n\n

Synopsis<\/strong><\/p>\n\n\n\n

    \n
  1. Welcoming the spectators<\/strong><\/li>\n<\/ol>\n\n\n\n

    Two clowns, Mr. Peanut and the Balinese Penasar, lead the spectators to their places.<\/p>\n\n\n\n

      \n
    • Introduction<\/strong><\/li>\n<\/ul>\n\n\n\n

      A Transylvanian song in darkness.<\/p>\n\n\n\n

        \n
      • Presentation of the performance<\/strong><\/li>\n<\/ul>\n\n\n\n

        Two storytellers, an Indian Baul and a Brazilian folk singer, inform the spectators about the events to happen.<\/p>\n\n\n\n

          \n
        • The power of nature<\/strong><\/li>\n<\/ul>\n\n\n\n

          A Japanese woman admires the beauty of the landscape, while Death looms.<\/p>\n\n\n\n

            \n
          • The family<\/strong><\/li>\n<\/ul>\n\n\n\n

            A father (Pulcinella), a mother (Nanguan Opera) and a Brazilian child (Cavalo Marinho) play in the intimacy of domestic life.<\/p>\n\n\n\n

              \n
            • Human weakness<\/strong><\/li>\n<\/ul>\n\n\n\n

              The Baul storyteller shows the greed of an old man (Balinese Topeng).<\/p>\n\n\n\n

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              • Brazilian feast<\/strong><\/li>\n<\/ul>\n\n\n\n

                A group of joyful people celebrates the vitality of a bull.<\/p>\n\n\n\n

                  \n
                • Showing off bravery<\/strong><\/li>\n<\/ul>\n\n\n\n

                  The Brazilian singer and a Hungarian traditional dancer display their virtuosity.<\/p>\n\n\n\n

                    \n
                  • The feast ends<\/strong><\/li>\n<\/ul>\n\n\n\n

                    The bull is killed, while the family admires the landscape.<\/p>\n\n\n\n

                      \n
                    1. People are hungry\u2026<\/strong><\/li>\n<\/ol>\n\n\n\n

                      Two clowns (Bali and Brazil) find the dead bull and carry it out to have a good meal.<\/p>\n\n\n\n

                        \n
                      1. \u2026 and rich people dance<\/strong><\/li>\n<\/ol>\n\n\n\n

                        An elegant couple on stilts waltzes to Johann Strauss\u2019 music.<\/p>\n\n\n\n

                          \n
                        1. The boy\u2019s funeral<\/strong><\/li>\n<\/ol>\n\n\n\n

                          The parents mourn the dead son.<\/p>\n\n\n\n

                            \n
                          1. The face of darkness<\/strong><\/li>\n<\/ol>\n\n\n\n

                            An Indian Kathakali demon attempts to annihilate the child\u2019s corpse.<\/p>\n\n\n\n

                              \n
                            1. The transformation of Death into Life<\/strong><\/li>\n<\/ol>\n\n\n\n

                              The bull and the child resurrect and the performance ends with Death becoming Life, among the actors singing a traditional Hungarian song (\u201cBy the river of Tisza under an almond tree \/ two lovers embrace each other\u201d).<\/p>\n\n\n\n

                              On stage<\/strong>: Keiin Yoshimura (Japan); I Wayan Bawa (Bali); Parvathy Baul (India); Yalan Lin (Taiwan); Al\u00edcio Amaral, Juliana Pardo, Rodrigo Lopes dos Reis, Matheus de Aquino (Cia. Mundu Rod\u00e1, Brazil); Caterina Scotti, Alessandro Rigoletti, Ricardo Gomes (Teatro tascabile di Bergamo, Italy); Julia Varley, Jakob Nielsen, Antonia Cezara Cioaza (Odin Teatret, Denmark); Istv\u00e1n Berecz, Ibolya P\u00e1li (Hungary); Lorenzo Gleijeses (Teatro di Roma, Italy) and Roc\u00edo Susana Antero-Cabrera Vites (Peru), Javier Arboleya Rodr\u00edguez (Spain), Taylor Ayling (UK), Aurora Bolaffi (Brazil), Viviana Bovino (Italy), Eugenia Cano (Mexico), Benedek Csonka (Hungary), Mark Diaz (USA), Anna Vikt\u00f3ria D\u00f6m\u00f6t\u00f6r (Hungary), Federico Fanella (Italy), Natalia Georgosopoulu (Greece), Daniel Ginebroza (Spain), Gaia Diana Dalia Gulizia (Italy), Sarim\u00e9 \u00c1lvarez Hern\u00e1ndez (Cuba\/Mexico), Cecilia Hopkins (Argentina), Asmaa Houri (Morocco), Fanis Katechos (Greece), Dominika Laster (Poland\/USA), Denis Lavie (France\/Spain), Bojan Lazarov (Macedonia), Attila Lesty\u00e1n (Hungary), So Young Lim (South Korea), Leonardo Mancini (Italy), Ana Patricia Marioli (Argentina\/Germany), Natasha Mirny (USA), P\u00e1l Ny\u00e1ry (Hungary),Lorenzo Ortis Gallo (Italy),Zs\u00f3fia P\u00e1lfi (Hungary), R\u00e9ka P\u00e1vel (Hungary), Mirla Pereira (Cuba\/USA), Darinka Pil\u00e1ri (Hungary), Ivana Milenovi\u0107 Popovi\u0107 (Serbia), Gisella Rotiroti (Italy), Cecilia Ruiz (Argentina), Karina Russa (Hungary\/Venezuela), Natalya Rybalkina (Ukraine), Leo Schmukler (Argentina), Eirini Sfyri (Greece\/Spain), Anna Somogyi (Hungary), Hal-Jun Sung (Taiwan), Nadine Szak\u00e1cs (Hungary), Natalia Tesone (Argentina), Renee Torres (Venezuela), M\u00e9rida Urqu\u00eda (Cuba\/Colombia), Alexis Vandist (Belgium), Kengip Wong (China), Gyan Ros Zimmermann (Ecuador\/Chile)<\/p>\n\n\n\n

                              Musicians<\/strong>: So Sugiura (Japan), Gregorio Amicuzi (Italy), Rachid Bromi (Morocco), Linda Cunningham (Ireland), L\u00e1szl\u00f3 Luk\u00e1cs (Hungary), Annada Prasanna Pattanaik (India), Rina Skeel (Denmark)<\/p>\n\n\n\n

                              Soundscape<\/strong>: Mirto Baliani (Italy)<\/p>\n\n\n\n

                              Digital scenography and light design<\/strong>: Stefano Di Buduo (Italy-Germany)<\/p>\n\n\n\n

                              Technical assistance<\/strong>: Manolo Muoio (Italy)<\/p>\n\n\n\n

                              Film documentation<\/strong>: Claudio Coloberti (Italy)<\/p>\n\n\n\n

                              Programme text<\/strong>: Leonardo Mancini<\/p>\n\n\n\n

                              Assistants<\/strong>: Gregorio Amicuzi (Italy\/Spain), Viviana Bovino (Italy\/Spain), Antonia Cezara Cioaza (Romania\/Denmark), Ricardo Gomes (Brazil), Leonardo Mancini (Italy), Jakob Nielsen (Denmark), Francesca Romana Rietti (Italy)<\/p>\n\n\n\n

                              Director assistants<\/strong>: Rina Skeel (Denmark-Argentina), Julia Varley (Denmark-Italy), Ana Woolf (Argentina)<\/p>\n\n\n\n

                              Composed and directed by<\/strong>: Eugenio Barba<\/p>\n\n\n\n

                              In collaboration with National Theatre of Budapest, Theatre Olympics 2023 and Teatro di Roma<\/strong>, <\/p>\n","protected":false},"excerpt":{"rendered":"

                              Some photos from the performance “Anastasis” (Resurrection), Composed and directed by Eugenio Barba, presented at the National Theatre of Budapest – Theatre Olympics 2023<\/p>\n","protected":false},"author":1,"featured_media":1377,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[10,5],"tags":[],"class_list":["post-1374","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-news-activities"],"_links":{"self":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/comments?post=1374"}],"version-history":[{"count":3,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1374\/revisions"}],"predecessor-version":[{"id":1384,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1374\/revisions\/1384"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media\/1377"}],"wp:attachment":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media?parent=1374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/categories?post=1374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/tags?post=1374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}