{"id":1808,"date":"2023-10-01T01:50:18","date_gmt":"2023-10-01T01:50:18","guid":{"rendered":"https:\/\/odinteatret.org\/?p=1808"},"modified":"2023-10-22T10:13:22","modified_gmt":"2023-10-22T10:13:22","slug":"ista-webinar-on-theatre-anthropology-19-oct","status":"publish","type":"post","link":"https:\/\/odinteatret.org\/index.php\/2023\/10\/01\/ista-webinar-on-theatre-anthropology-19-oct\/","title":{"rendered":"ISTA WEBINAR ON THEATRE ANTHROPOLOGY (19 oct.)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Webinar on&nbsp;<strong>Theatre Anthropology<\/strong>&nbsp;with&nbsp;<strong>Eugenio Barba<\/strong><br><strong>Lesson 9:&nbsp;<\/strong>EURASIAN THEATRE &#8211; THEATRUM MUNDI<strong><br>19th October 2023, 18:00 \u2013 6 pm (local time in Rome)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/us02web.zoom.us\/webinar\/register\/WN_-wE5WXnPTVG3-B-dbi4sfw#\/registration\" data-type=\"link\" data-id=\"https:\/\/us02web.zoom.us\/webinar\/register\/WN_-wE5WXnPTVG3-B-dbi4sfw#\/registration\" target=\"_blank\" rel=\"noreferrer noopener\">Free participation. REGISTRATION at: https:\/\/us02web.zoom.us\/webinar\/register\/WN_-wE5WXnPTVG3-B-dbi4sfw#\/registration<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The webinar is in&nbsp;<strong>Spanish<\/strong>&nbsp;with simultaneous translation into&nbsp;<strong>English<\/strong>&nbsp;and&nbsp;<strong>Italian<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Before<\/strong>&nbsp;the webinar you can see the film <a href=\"https:\/\/www.youtube.com\/watch?v=CxrYklUxZRE&amp;list=PLK8iTIUPsd3jHl8NZFDsW7tEDHuMPbRZt&amp;index=8\" data-type=\"link\" data-id=\"https:\/\/www.youtube.com\/watch?v=CxrYklUxZRE&amp;list=PLK8iTIUPsd3jHl8NZFDsW7tEDHuMPbRZt&amp;index=8\">LESSON 9 at https:\/\/www.youtube.com\/watch?v=CxrYklUxZRE&amp;list=PLK8iTIUPsd3jHl8NZFDsW7tEDHuMPbRZt&amp;index=8<\/a> and write your questions to Eugenio Barba and Julia Varley.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The film is dedicated to Cristina Wistari, an Italian dancer who for years in Bali struggled to keep alive the tradition of gambuh which, together with Japanese n\u00f4 is the oldest form of dance-theatre still in existence. Cristina joined the ISTA \u2018village\u2019 with the Batuan&#8217;s Gambuh Pura Desa ensemble which became an integral part of the Theatrum Mundi performances. Eugenio Barba introduces various extracts of Theatrum Mundi performances which conclude with images from Ur-Hamlet: \u201cWith the term Eurasian Theatre I mean the technical and theoretical dimension which enables us to consider as a unity those performances traditionally divided into the two cultural hemispheres called East and West. In reality these are connected not only by exchanges and intersections, but above all by a common professional identity. The profession is also a country to which we belong, an elective homeland, without geographical borders.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Organizza: <a href=\"https:\/\/fondazionebarbavarley.org\/\" data-type=\"link\" data-id=\"https:\/\/fondazionebarbavarley.org\/\">Fondazione Barba Varley<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lesson 9: EURASIAN THEATRE &#8211; Theatrum Mundi<br \/>\n19 October 2023, 18:00 \u2013 6 pm (local time in Rome)<\/p>\n","protected":false},"author":1,"featured_media":1811,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[10,5],"tags":[],"class_list":["post-1808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-news-activities"],"_links":{"self":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/comments?post=1808"}],"version-history":[{"count":3,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1808\/revisions"}],"predecessor-version":[{"id":1813,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/1808\/revisions\/1813"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media\/1811"}],"wp:attachment":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media?parent=1808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/categories?post=1808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/tags?post=1808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}