{"id":3427,"date":"2025-07-14T03:12:49","date_gmt":"2025-07-14T03:12:49","guid":{"rendered":"https:\/\/odinteatret.org\/?p=3427"},"modified":"2025-07-20T10:33:52","modified_gmt":"2025-07-20T10:33:52","slug":"the-deaf-mans-house-14-july","status":"publish","type":"post","link":"https:\/\/odinteatret.org\/index.php\/2025\/07\/14\/the-deaf-mans-house-14-july\/","title":{"rendered":"The Deaf Man’s House (14 July)"},"content":{"rendered":"\n

Kl. 19:00 at Teatret OM, Ringk\u00f8bing<\/strong>
Public performance under ODIN HOME<\/p>\n\n\n\n

THE DEAF MAN’S HOUSE – A capriccio on Goya<\/strong><\/p>\n\n\n\n

We are in Bordeaux, in the house of a deaf man, Francisco Goya. It is the last night of his life. His lover for more than thirty years, the lively Leocadia Zorilla, unleashes her imagination and her memories.
Francisco Goya (1746-1828) is considered the most important Spanish painter and engraver of the end of the 18th and beginning of the 19th century. During his long career, he was a committed commentator and chronicler of his era. He died in exile in Bordeaux, in France.<\/em><\/p>\n\n\n\n

Actors:<\/strong> Else Marie Laukvik, Rina Skeel, Ulrik Skeel – Text:<\/strong> Else Marie Laukvik, Eugenio Barba
Stage design:<\/strong> Else Marie Laukvik, Rina Skeel – Stage design adviser:<\/strong> Jan de Neergaard – Assistant director:<\/strong> Rina Skeel – Director:<\/strong> Eugenio Barba<\/p>\n\n\n\n

<\/p>\n\n\n\n

in connection with ODIN HOME<\/strong> – Nine days of training, performances, films, barters and theatre anthropology<\/strong> led by Eugenio Barba and Odin Teatret\u2019s actors 07 -16 July 2025 organise<\/strong>d by
Brog\u00e5rden Kulturv\u00e6ksthus<\/a>, Teatret OM<\/a> and Odin Teatret<\/strong> with the support of Ringk\u00f8bing-Skjern Kommune<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

RINGK\u00d8BING, DENMARK \u2013 During the Odin Home Festival in Ringk\u00f8bing we will present Odin Teatret\u2019s performances and work demonstrations to our 50 participants. The performances are open to the general public for free.<\/p>\n","protected":false},"author":1,"featured_media":1333,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[10,5],"tags":[],"class_list":["post-3427","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-news-activities"],"_links":{"self":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/3427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/comments?post=3427"}],"version-history":[{"count":5,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/3427\/revisions"}],"predecessor-version":[{"id":3455,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/3427\/revisions\/3455"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media\/1333"}],"wp:attachment":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media?parent=3427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/categories?post=3427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/tags?post=3427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}