{"id":3977,"date":"2026-05-08T10:25:53","date_gmt":"2026-05-08T10:25:53","guid":{"rendered":"https:\/\/odinteatret.org\/?p=3977"},"modified":"2026-05-08T13:34:41","modified_gmt":"2026-05-08T13:34:41","slug":"zona-limite-holstebro-festuge-17-may","status":"publish","type":"post","link":"https:\/\/odinteatret.org\/index.php\/2026\/05\/08\/zona-limite-holstebro-festuge-17-may\/","title":{"rendered":"Zona limite &#8211; holstebro festuge  (17 May)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>*** SUNDAY 17TH (17:00\u201320:00) <\/strong>Antwerp <br><strong>\u00a0<em>Zona Limite<\/em>,<\/strong> a Stefano Di Buduo film.<br>&#8220;&#8230; In the small Danish town of Holstebro, home of this Italian\/Danish theatre director, Eugenio Barba realises the HOLSTEBRO FESTUGE &#8211; a spectacular theater project turning the parameters of the city\u2019s inhabitants life upside down.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">and the d<strong>emonstration\u00a0<\/strong><br><strong><em>The Flying Carpet<\/em><\/strong> with Julia Varley<br>&#8230; \u201cText is a carpet that has to fly far away.\u201d With this sentence as a starting point the demonstration works its way through the past thirty years of the Odin Teatret performances in which Julia Varley has taken part. Few essential explanations accompany the vocal work that exemplifies the passage of the word from the written form to space, from coldness of paper to the freedom of interpretation.&#8221;<br><br>Standard price\u00a0\u20ac 20,00<br>Under 30 | Student | 65 plus\u00a0\u20ac 15,00<br><strong>MORE INFORMATION, CONTACT: <a href=\"https:\/\/www.troubleyn.be\/eng\/eugenio-barba\">https:\/\/www.troubleyn.be\/eng\/eugenio-barba<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANTWERP, Belgium &#8211; Film. &#8220;&#8230; In the small Danish town of Holstebro, home of this Italian\/Danish theatre director, Eugenio Barba realises the HOLSTEBRO FESTUGE &#8211; a spectacular theater project turning the parameters of the city\u2019s inhabitants life upside down.&#8221;<\/p>\n","protected":false},"author":1,"featured_media":1404,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-3977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-activities"],"_links":{"self":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/3977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/comments?post=3977"}],"version-history":[{"count":1,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/3977\/revisions"}],"predecessor-version":[{"id":3978,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/posts\/3977\/revisions\/3978"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media\/1404"}],"wp:attachment":[{"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/media?parent=3977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/categories?post=3977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odinteatret.org\/index.php\/wp-json\/wp\/v2\/tags?post=3977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}